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“It doesn’t matter whether you’re a Prince fanatic or if your interest is simply piqued by all things music
or pop culture: The book is worth picking up. . . . The Beautiful Ones is not a read, but an experience, an immersion
inside the mind of a musical genius. You are steeped in Prince’s images, his words, his essence. . . . The way the book
is structured simply makes one want to read it again, to leaf through the pages and be immersed in Prince’s world. . . .
The book can be a starting point for a Prince fascination, or a continuation of long-standing admiration. Either way, it
will deepen the connection of any reader with the musical icon.”—USA Today (★★★★ out of four stars)
“Everything Piepenbring shares about being a fan chosen to work with one of his idols resonates. . . . [He] doesn't
just want to write this memoir with Prince, he wants to do it right. . . . This means we get a memoir that is written by
Prince, literally. Handwritten pages he had shared with Piepenbring make up Part 1, taking us from his first memory—his
mother’s eyes—through the early days of his career. . . . We also get a memoir that is carefully curated by Piepenbring,
who writes that he was able to go through Paisley Park, room-by-room, sorting through Prince’s life. . . . The Beautiful
Ones doesn't paint a perfect picture. . . . It’s not definitive. It can’t be. It shouldn’t be and, thankfully, it
doesn’t try to be. . . . It’s up to us to take what’s there and make something out of it for ourselves, creating, just
as Prince wanted.”—NPR
“[The Beautiful Ones] delivers much, much more than we had any reason to expect. . . . Prince took the project very
seriously, and it shows in the work he delivered. . . . It shines an intimate and revealing light on the least-known
period of his life—his childhood—which is embellished with family photos, notes and other ephemera. The book does not
scrimp on detail: Prince’s handwritten manuscript, rendered in his famously precise cursive script . . . is reproduced
in full. . . . The initial segment of that closing section is one of the most fascinating parts of the book: a
reproduction of a photo album, with captions by a presumably young Prince, containing a couple dozen pictures from his
trip to California to record his debut album, ranging from shots of him in the studio to candids of him and his friends.
. . . The Beautiful Ones brings so much new information to light that it’s hard to imagine anyone being
“[The Beautiful Ones] is an affirmation of Prince’s Blackness and humanity. . . . The memoir is a ‘handbook for the
brilliant community, wrapped in autobiography, wrapped in biography’—and thus, it’s an inspiration. . . . Prince writes
about his childhood with clarity and poetic flair, effortlessly combining humorous anecdotes with deep self-reflection
and musical analysis. . . . Prince is one of us—he just worked to manifest dreams that took him from the North Side of
Minneapolis to the Super Bowl. [The book] encourages us to tap into our power to design the lives we envision for
ourselves and set a precedent for future generations to do the same.”—HuffPost
About the Author
Prince Rogers Nelson remains one of the most popular and influential musical acts of all time. Known for
his style and range, Prince’s prolific music career included an ever-evolving sound that blended pop, R&B, hip-hop,
jazz, and soul. Prince sold more than 100 million albums worldwide, making him one of the bestselling artists of all
time. He won seven GRAMMY® Awards, a Golden Globe Award, and an Academy Award® for the film Purple Rain. He was inducted
into the Rock and Roll Hall of Fame in 2004, the first year of his eligibility. Prince tragically passed away at his
Paisley Park home on April 21, 2016. His legacy lives on through the timeless messages of love in his music and the
countless ways his work has touched lives.
Dan Piepenbring is an advisory editor at The Paris Review and the coauthor, with Tom O’Neill, of Chaos: Charles Manson,
the CIA, and the Secret History of the Sixties.
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