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Product Description ------------------- The world s oldest desert, the Namib...A solitary railway line...A royal family on a royal journey...From the sky, like lightning... a FLASH! The centuries old Royal Crown is stolen! BACK IN ACTION... DHOOM:2 reinvents the action comedy genre and propels it into the 21st century. Ali s (Uday Chopra) dream of becoming a officer has come true. He is now ACP Jai Dixit s (Abhishek Bachchan) right hand man . Together, they are trying to keep a tight leash on the crime in India. Little do they know what they are going to be up against. Enter Aryan - Mr. A (Hrithik Roshan) - A hi-tech international thief. After pulling off a series of impossible heists all over the world, his next target is Mumbai, India. The case is given to ACP Jai and Ali. Helping them put the pieces of the puzzle together is ACP Shonali Bose (Bipasha Basu), Jai s college mate, now a officer in her own right. For the last two years Shonali has been tracking these amazing thefts and is now an expert on this thief, who no one has seen. Once in Mumbai, Mr. A finds his match in Sunehri (Aishwarya Rai), a petty yet clever thief. She makes him an offer he finds very hard to refuse. A partnership! Aryan accepts. And so the game begins a game of cat and mouse a game of good v/s bad. The COPS - Jai, Shonali and Ali; and they are after Aryan and Sunehri The ROBBERS .From the desert of Namibia to the backwaters of Goa, the mean streets of Mumbai and the ancient forts of Rajasthan, and finally to Wild n Exotic Rio, Brazil.Does ACP Jai Dixit manage to nab Mr. A? Or does Mr. A prove to be too much for him? Never-Seen-Before Action Sequences, Hi-Tech Heists, Breathtaking Hi-Speed Chases, Non-Stop Laughter and Excitement will lead you to the answer to these questions. Go On...! Enjoy the RIDE...!! ONCE AGAIN...!!! Review ------ "Once in Mumbai, Mr. A finds his match in Sunehri [Aishwarya Rai], a petty yet clever thief. She makes him an offer he finds very hard to refuse. A partnership! Aryan accepts. And so the game begins, a game of cat and mouse, a game of good v/s bad. The cops -- Jai, Shonali and Ali -- are after the robbers -- Aryan and Sunehri. From the deserts of Namibia to the backwaters of Goa, the mean streets of Mumbai and the ancient forts of Rajasthan and finally to Rio, Brazil. DHOOM 2 is modeled on the lines of the chor- sa that Hindi films specialized in the 1970s and 1980s. In essence, it's not a path-breaking/inventive story, but what takes the film to dizzy heights is the sequence of events that unravel at a feverish pace. Right from the start of the film [Hrithik's first heist in Namibia; the robbing of a crown from a moving train] to his next target [robbing a precious diamond from a museum in Mumbai] to the theft in Jamnagar [Hrithik and Ash come face to face for the first time], the film whets your appetite from the word 'Go'. In the first hour focuses on the cat-n-mouse game, the second hour changes tracks as it transforms into a love story. While the scenes between Uday and Bipasha [in a dual role] are cute, the ones between Hrithik and Ash build up slowly. The pace drops intermittently in this hour since the thrills are reserved for the penultimate reel, but a number of worthy sequences in this half conceal this tiny blemish. Note the turning point in the tale -- the revolver sequence between Hrithik and Ash and the lip-to-lip kiss that ensues; it's an outstanding sequence from the writing, execution and performance point of view. The pre-climax -- the robbery of man-made gold coins -- as also the climax chase are breath-taking as well. DHOOM 2 is director Sanjay Gadhvi's finest effort so far. The execution of the subject is such, you just can't help get transported to a world of make-believe. Gadhvi has handled a number of sequences with omb. The Hrithik-Ash sequence mentioned above is one of them. The dialogue between Hrithik and Abhishek -- after they've known each other's true identities -- is another. The final scene of the enterprise [it would be unfair to reveal it here!] is yet another sequence that indicates that the director has done his homework well. Pritam's music is fair. Barring the 'Krazy Kiya Re' track and the title track [filmed on Hrithik], the score is outright mediocre. However, the saving grace is the vibrant and energetic picturization, which takes the songs to another level. The choreography of the title track by Shiamak Davar is outstanding. Vaibhavi Merchant's choreography of 'Krazy Kiya Re' is admirable as well. Salim-Sulan's background score is highly effective." --platform47.com